First love is never forgotten. Or at least do not forget Shelby (Mischa Burton) who in order to get her ex comes to segregate in a home of his new flame making them suffer the pains of hell.
second round of the director of American Psycho 2 that wink through repeated Misery hits the mark achieving results rather than surprising. Mischa Burton after the interesting (and unfinished) Walled In acquire self-confidence and belief in its own contexts actorial purely dramatic and intelligently takes a test more mature at a subliminal level, trapped in the balance between the memory of a feeling lost and now infungibile - repeated ad libitum Spread across the dusts of turntables, memories and photos - and the madness that leads her to seize the one who covets her ex, clinging and segregation in the bed of death. Incattivita and crazy-eyed and lost kinskeggia great. What a sight! In morphology Homecoming born with a plurality of facets. It 's a love story, is a treatise on revenge, is the staging of the sacred - which is inevitable - more morbid jealousy arising from seeing their man in the hands of another woman, reversing roles and motives of motivational Boxing Helena (what has been unjustly massacred Lynch movie? Going Home.) Sandsiana of memory.
Homecoming suffers the same defects that had clipped the wings of this interesting project that is called American Psycho II . A slasher canon, but he placed his fate solely on the acting of the protagonist (an intense Mila Kunis ) able to overcome the shortcomings of the work. If there is a problem here, too, is the inability to be able to create scenes that really conquer the viewer. It is a good story, well told with lots of capital appreciation but can not go further. A sort of emotional potential would be wasted to say. To be fair, compared to the sequel of the movie with Christian Bale , here there are also some improvements from the technical point of view: very foggy winter photograph, a constant sense perceptually tension, a pace that rarely falls in intensity and a sparring partner all respect ( Jessica Stroup). Homecoming right away is destined to become a cult, at least for fans of the actress, here at his best and perhaps test free of room for improvement, because its perfect. It demonstrates how to know how to create characters tormented by a rare , credibility is not realistic for all. The company is really only possible for those who through the torment and the pain of the character who unifies us is the past, enjoying each and every variety of despair, I could handle, pass and trap knowledgeable in ethereal characters that perpetuate their existence in human memory . And I am reminded of Klaus Kinski or to an extent Minor, Paul Naschy while more recently members of the notorious 'genius and recklessness' are housed in Misha Burton and Lindsay Lohan (unmatched dual role it the name of my Murderess ) contend that the record of admissions to psychiatric clinics. Misha Burton Klaus Kinski as .
bad the movie world is full of them. Of evil for which the symbiosis between men and presaged the artistic alter ego even in minor films recovering and the same inner instability there is only the Polish actor. Death smiled murderer, can revive a dead woman for love? , The hand that feeds Death , Nosferatu in Venice, Paganini without resorting to the usual four or five most resonant films. Psychopathic personalities, unsettling, afflicted that come to life outside of the screen, perhaps the result of his past twenty-six spent in a mental hospital, having had a morbid passion (unpaid) for a nurse twenty-four years older than him. The dialogue in the final between Kinski and the doll in The Hand that feeds death, manages to dispel any doubt about how he could juggle his excesses sank in the mechanisms of fiction. E 'Kinski man through and through, with his haunted eyes affected by the last laugh. The life that is transformed to conquer territory apparent moments of meta-cinema. Catharsis or cinema or simply life that can not exist without it. And with the proper proportions this also occurs in Homecoming and wanting no small thing.
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