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- First Sequence of Tom Six (USA 2010)

known as a doctor wants to surgically join through the link-mouth anus, three poor victims, in order to achieve the creation of a human centipede. One being, a new breed. As soon as the opportunity presents itself, it takes two women hostage, and begins the ritual macabre ...

I find it really hard having to judge a movie like The Human Centipede . Firstly because it's easy to fall into obvious, bland, public areas and canonical phrases that pop up like mushrooms When, it lends itself to describe similar operations apparently 'controversial'. When, I faced a similar experience I reviewed ; Grotesque and I think I succeeded in the best way, at least from what my capabilities are enabled. It 'difficult because I would like slalom various obstacles and not fall into the traps that range from the inevitable " missed, frightening, disgusting, TO SEE !!!!! "the more evocative" most gruesome of your mother-in-law during the Sunday lunch or your brother while she presses the scaccola boogers under the table, so, in the spirit of collecting "and ending with the totalitarian" yes, many people have felt hurt when they saw him, it happened in an old film club of Patagonia where it was premiered provincial-local '. Without neglecting the other polar opposite of that, seeing the bad habit, to a simple "I did not like " answer with the standardized "Did not you like because you had too many expectations! What did you expect? It 's just a movie with scenes disturbing, I do not understand what we can expect more ." Well, I would like to avoid getting into' Internal those extremist fringes and not belong to anything or anyone but what I think. Then maybe my thoughts are suited to the ideas of one or the other, but I would try to express it in different ways and tones.

's film Tom Six fails in many of the goals. Although it does not consider the factor or the shocking amount of violence infused and burning of a life of its own uniquely component on which to base the success of any kind of work - just because objectifiable difficult policy and variations depending on the training - on the notebook of notes is not given nor sequences to remember and mark nor large inserts of violence, absolutely of impalpable and intangible. As anticipated, can not be considered a downside, except that the director not only strives fiction list in the omission of a series of elements that allow the disease to people devoid of the minimum depth, but he dwells in a plot that is not and was reduced to fifteen minutes of footage, depleted of all the futility of making up. The beginning is the classic car gets stuck, the rest is the canonical story even mentioned in the infamous cult as Korang Human terrifying beast, only with a touch of creativity in the basic value in having most of the film entirely new idea: that of human centipede, which, is outrageous because the connection through the anus to the mouth of Tom Dick, each component is forced to eat, like it or not, the I made another to survive.

The usual chatter, the morbid curiosity around an original idea, yes, but totally undeserving of so much anger that has made The Human Centipede was considered even before its release as a contemporary horror bloody skull with its games of the parties. And there is no will to pursue the achievement of a metaphorical hyperbole of the most vicious of the human mind, as the talk of the doctor is a hopeful sign. E ' operation stops at the surface of things, without scraping or leave anything to the memory of posterity, without wishing to be daring, because you prefer a neutral narrative, capable of preparing a variety of interpretations. But the lack of subtexts must also count the tedium, always hidden behind the corner as well to send difficult opponent to the mat.

The lack of psychological depth of the characters, as well as the consequent ability of the director to know how to get the best actor from the industry, I believe should be assessed in pursuing her career. In this case the uncertainty on the faces to impress the players, perhaps comes from having deliberately failed - in agreement with the writers - any hatch to allow your character to anyone, even the viewer joint replacement, and empathize with the suffering of the victim, and all that could be anyone. There is no connection but suffering hardly leave you indifferent and may suffer from physical decay and the martyrdom of anyone. The girl who has risen to the transgression mask to disguise his weakness for women's emancipation, or simple fucking girls looking for healthy and fun.

The technical sector seems left to die in agony. In horror in which you want to impress the future, gradual acquiescence of the two spectator feeling good - bad, love - hate, life - death, usually emphasize the contrast is usually through the diversification of production design. Interior closed, claustrophobic and oppressive, often dark and shadowy and sunny outside. The photograph, however, is a flat EEG, no bright colors, only the interior of the aseptic chambers of torture of the mad doctor can be a slow sense of alienation that crumbles progressively becoming slowly enveloping the characters.

You can not even put it in the category of so bad it's so good , Also know as the pearl of the trash, non-existent term that has seen the spotlight in the late 90s, typically used whenever there was shortage of arguments, insights to support of its arguments as well as a deep sense of shame - had to look only to appreciate a movie statistically estimated by a few - in expressing their views in favor. And then trash (unless it is used with a mere student spirit) becomes the security blanket, a screen capable of turning into a shield in the noble sense of a cause that justifies the appreciation the film is beautiful but objectively bad sentence likely to mean nothing. In the sense 'not consider me stupid if I appreciate that. I know that is bullshit, but I liked it but I'm ashamed to say it in front of you others, then I say it is trash and I except for a corner '. practice that should be analyzed at a sociological and that has its roots in 'eternal desire of people to feel satisfied and never statistically alone and outnumbered in the approach to something. If I think it will mean a beautiful movie that managed to touch certain chords, even the most childish and past, and there must be a reason. If it is objectively bad I did not hit, period.

But in the end you can see some positives in this human centipede, balancing the scales in perfect equality. A wicked little inclined to Spending of detector elements of its identity (or rather, personality) helps to increase the aura of mystery around him, neatly severing any element of familiarity with it. Getting to the viewer, which often leads to the destruction of an evil character (and consequentially on the film). Think of the Freddy Krueger of Nightmare VI now forced to act directly addressing to his fans. An element that Wes Craven - usually with the intent to criticism - does not fail to repeat his New Nightmare, Freddy doing pronounce the 'human' the joke 'You are all my children now' , as if to denounce the disgraceful practice which involves the retention of a character going to distinguish it from Freddy, the most disturbing, more sinister, more evil, than its own (and in fact the joke is borrowed from Nightmare II , though the decline had begun when his true creator has abandoned the guise of 'father'). familiarization-subsidiary therein is completely absent, as is the behavior of the indecipherable doctor to discontinue the credulity of the audience, bringing it to work for the brain to understand what it will take to achieve its purpose (that yes, clear and known). Credit where credit is for a ruthless Dieter Laser, a bizarre cross between a Audition Asami, Paul Fox and brutal torturer of Grotesque , whose placid and phlegmatic trend seems to have been an inspiration to Tom Six .

choosing to pursue a career in mediation, consider The Human Centipede a horror barely able to prevent the eyelids half close permanently after a hard day's work. Nothing more.

Imagenes Exoticas De Patricia Manterola

The House of Horrors in the park by Peter Sykes (UK 1973) Nights

Foster Twelvetrees ( Frankie Howerd) is a mediocre end reciter who is hired for the recitation of a "greatest hits" of his achievements in a villa. Arrived there, is confronted with a series of strange characters. Black-veiled women who seek to behead him, mustachioed homunculi that cover the worst epithets, heads of dolls that you parry before ... What will be the cause of these strange events there is unknown.

's amazing how a plaintiff may disrupt the geometry of a work, annihilating the cardinal points and going to give that surplus can allow multiple visions left open indefinitely. The element that allows discern between great movies and feature films semplicementi 'beautiful'. Speech is valid for masterpieces where every single wheel gear is perfect, it is supported by the skill of casting and all the technical sector, whether are groping in the dark of the most squalid and production through the help of his mimicry skills and try to revive an already mediocre movie. Think of a What Ever Happened to Baby Jane? without interpreting Bette Davis, with another actress to act in their place. Despite all this work in no time yet remained perfectly unchanged, the removal of a prominent cardinal point would destroyed that alchemy created between the different elements. Maybe we would have pointed to other factors, however the seventh art would not have escaped unhurt from a similar chance. In this case, Frankie Howerd, English comedian, burst onto the scene with all its drama and a collection of gags that go immediately to create a short circuit inside the film. Short circuit overloading lights and lamps, on the lower left spectrum of the mansion opera house, the shadows of darkness, the crackling of the rooms web overshadowed by austere prohibitions, do not overdo it with the aura of mystery, which, as anticipated , alternates with a series of comic grafts. Although The House of Horrors in the park is permeated by a thin line of anxiety ricreabile difficult for any director (the mother of one of the brothers, segregated in the attic with a black veil on the face provides some shiver down my spine) does not fail to entertain at the same time advocating entr'actes gags and hilarious, but functional heavy characters, locations and strategies put in place there, thus justifying what you are seeing.

's film Peter Sykes ranks in the immense lot 'Magioni infested', and immediately presented himself as a British horror with humorous touches, at the same time capable of upsetting, surprising, to recreate atmosphere complete with Gothic references to the Hindu religion through the (vain) worship the Goddess Kali. More than a haunted house in question actually to deconstruct a series of codes and check - in the starting phase - that is before any of the classic conspiracies against the more stupid by the knives of brothers and their wives even more snakes. And Naja Haje, known Egyptian cobra, is a factor which often peep into each other even justifying the bill of Avofilm , mythical home of distribution, which has often shone to the illogic of his recollections on the cover. The plot, in brief, is none other than the same view in those years in feature films as Death in the eyes of the Cat Antonio Margheriti or The Cat and the Canary of Radley Metzger, except that the director proprete to calm the child by the complicity of hilarity, creating a multifaceted creature, with a thousand different interpretations and sfacceattature perspective, a unique example of its kind. Everything is high quality. From the sets, the script, to the supporting actors. Not least the music that deafen the audience not in their apparent congruence with the misdeeds of the protagonists. And the director does not seem to want to insist too much in seeking to effect the shot or camera movement compliant, simply give due importance to the many recitations over the top, relying on shots of class and skill of its interpreters, including also a very good check Ray Milland (The Uninvited , Prisoner of Terror) one of the most famous actors of the 'old' as well as Hollywood Hugh Burden ( Blood from the Mummy's Tomb) in the shoes as well as the greed brother accomplice in the activities of the sinister house of horrors in the park.

of its kind and among the most unique.

Thong Or Jockstrap Blog

erotic Invisible Man by Pierre Chevalier (France, Spain, 1971)

Professor Orloff, known biologist, after numerous attempts, comes to the discovery of the invisibility formula. Thinking well to capitalize on the endless years of studies, it ends up creating an invisible being able to dominate the world, but slowly that is outside its control. A doctor - immediately contacted by the desperate daughter of Orloff - came to the castle to shed light on the mysteries and rumors that hover around the left figure of the mad scientist ...

Orloff Against The Invisible Man , which we translated into Erotic Nights Invisible Man, using the figure of the mad scientist (the sadist who had already terrified Orloff and disfigured young women The diabolical Dr. Satan of Jesus Franco ) sunteggia the style of the Gothic in vogue in those years (ancient castles scattered from the world, engaged in torture chambers, crypts, deafening rains that befall the cursed castle) knocking him down ' interior of a plot where the bulk of the events can in the right to direct their dusty tunnels of success, saying something new with its own train of thought and internal consistency.

In role of the scientist author of the birth of the creature is invisible Howard Vernon , Born Mario Lippert, always perfect, thanks to his physical features in the representation of a form of decadence suffering from the loss of her daughter (the meteor Brigitte Carva ) victim a cardiac arrest. Situation that is brought to existential heights of intolerance, an extreme condition of the lost and lonely man, through the slow narration of the events that led to the death of the first and subsequent sprouting of all'infausto madness. And 'the birth of the man-monster wrist and losing control of the situation and a victim of despair begins to experiment and test their own folly, which, combined extraction of years of study, he comes to the creation of a representation to be ape- extrinsic and free his inner evil, a kind of monstrous alter-ego capable of perversions for his master - as well as dutiful loving father - are insusceptible of physical execution, for the beast did not. And they are emblematic of a few key script 'My father is left alone. Do not want to see any friends 'or ' My friends have always teased me for my work, but now I try, it shows! 'raving passionately - but with a serious tone - the fanatical surgeon-biologist at the unfortunate visit to the doctor in his castle (a huge mansion in the south of France). The detachment with reality - as a rational perception of events lands - is accentuated by so slowly, you dig a rut the size of a crater and speeches of Vernon to help in tumbling this general air of desolation. framework that rises to a complete overall thanks to the haunting music of Claude and Camille Sauvage and photography of Juan Fortuny and Raymond Heil leaden tones and grayish times to mark the fault of any human affection.

There is also an atmosphere that seems borrowed from some of the stories of Edgar Allan Poe : funeral, burial and pessimistic where respect for the dead is exemplified by small details and atavistic traditions, such as the inclusion in the coffin of and goods more expensive with the deceased be a medium capable of nell'aldià once, so that the gap is less painful and traumatic. Everything can then be summarized in the union of tradition and destruction. The jewelry, in fact, his daughter will be looted by the same household Orloff after a sacrilegious profanation. There is nothing that can behave to a happy end and the room seems to be empty Orloff theater of pain and at the same hall of 'Hell, where his ' the shipwreck in this sea is sweet ' transmuted into the prey and victim of his thoughts.

There are claims, classic moods based on ignorance and superstition of the local population, this sort of photocopies of the Gypsies of Count Vlad and characteristic of a certain cinema of Jess Franco , which Pierre Chevalier ( The House of Dolls Cruel, Phanter Squad ) seems to want to inspire more than one occasion, at least in the exploitation of the main character, as if to consider his personal interpretation as a natural flow the events of Gritos En La Noche .

and a first time introduction followed by a second part that looks like a punitive expedition by a fleet of executioners (also invisible). The awkward development of a twisted mind, that , seemed destined to upset the natural continuation of the events, is frustrated, rejected by the rebellion of frankensteniana unexpected creature, or rather, by the time Death is always trusted and does not require intermediaries to implement its plans. A sort of divine justice that operates independently of the actions of the protagonists. probably a little step that would have merited a more thorough study is why, that is the explanation of the events that come to blow it for a fall or the catharsis of things. But it's really nothing in the sight of one of the best Gothic horror of all time, a beautiful example of chemistry between depth of characters - buttons emotions in different guises from every pore - gothic horror and sci-fi madness.

The cast to signal the presence of Fernando Sancho.

Orloff's character, still played by Howard Vernon , as well as having played the lead role in the antecedent (1969) black orgies of Dr. Orloff's Santos Alcocer, will return in another three films. Revenge in The House of Usher (French version), El Siniestro Dr. Orloff and closed with one last final to his exploits in Faceless - The night violent, all three direct dall'inossidabile Jesus Franco .

Trivia: the DVD will be released by Italian Mosaic Media June 30, 2010.

Review by Salvatore Mennea

Everyday Minerals Base

The Island of Dr. Frankenstein - Frankenstein Island Jerry Warren (USA 1981) The

When the crowd becomes a reality. Frankenstein Island is the breeding material (condensed to ninety minutes of madness never ends in themselves) the talent a director too quickly labeled as a filmmaker, low alloy (appropriately renamed to distinguish them from the z-movie cinema elite) that Jerry Warren. With his latest decision to give an ideal location for final acts of the mad Frankenstein and his creature. Often used to give initiation rites among its ruined castles and gothic staging ( The Mask of Frankenstein, Dracula against Frankenstein, The Horror of Frankenstein ) or, sometimes, to deal with characters astute (I The Maldiciòn Frankenstein the great Jesus Franco the main antagonist is the alchemist Count Cagliostro). Here the director imagines the duo on an island abandoned by the world, where four friends, flying in a balloon, you will be catalyzed by a spiral of energy by profuse equipment - properly segregated in the ground - the Dr. Frankenstein, Dr. Von Helsing (written just like that) and his wife! In their laboratories test new inventions, is implemented the functionality of earlier experiments gone bad, in order to materialize the dream of our atavistic: eternal life. All embellished with a pretty good cast: Cameron Mitchell and Stanley Clarke, who must also contend with the advances of a group of aliens.

To crown it all there are the occasional appearances of the great John Carradine (actor who has spent half his career in film far worse) reborn in the role of Dr. Frankenstein. His appearances are in break-ins are small sip which peeps while reciting a series of rituals and disconnected phrases that even in this occasion, an essay of his - commendable - with little obvious ability to worry. The strength of the film was able to create an atmosphere of destruction and isolation from civilization, never as invasive and disruptive. The suspension of the story emphasizes the dreamlike sense of the end of the world and loneliness that affects the players. A deep atmosphere of annihilation given off by people over the top, insane and macabre, which seem to have lost all touch with reality and in order to preserve the Their instinct for survival, opt for the adoption of their language, personal codes, their own jargon, a common way of thinking, a world on the fringes with which it impacts abruptly and v ' you can empathize. The customs of the alien women, but by accommodating this double purpose, the sloppiness of places and environments subjecting the viewer to deal with the unexplored caves of buii, the inability to find their way forgotten land between the human soul in which there is only mass hysteria and never have room for rationality, means that while watching you try (in vain) to negotiate with a double-edged weapon that can hit and not to be forgotten.

Last but not least, the film is a flood of ideas and influences brilliantly successful with other genres (comedy, sci-fi), rare example of versatility, with mastery of knowledge out the windows of the fees by entering it elegantly brings .

be recovered.




Poster of the cover DVD and VHS American Music Video Distribution