Friday, April 9, 2010

Marriage Invitation Tamil Poem

Clyde Anderson (Claudio Fragasso) / Italy - 1990

The story of a girl haunted by a masked maniac ...



is not easy to speak well of a film in respect of which, over time, raged without distinction, both the critics and the public horrorofilo. On the one hand there is the risk of being vilified by those who think their opinion is tantamount to dogma and an idea is automatically deformed daughter of the mind of one of cinema "noncapisceniente" the blogosphere and internet in general, d 'Moreover, they have multiplied exponentially, the proliferation of such creatures. groped the other one can highlight the many advantages that this apocryphal our national saga of Leatherface hiding, facing on an equal footing with those who think, in a totally legitimate, otherwise.
begin by saying that 3 Texas Chainsaw Massacre is one of those horror in Italy, unfortunately, no longer able to achieve (The Third Mother and the latest productions of Dario Argento , Lamberto Bava, Sergio boots and partners are a clear example.). Yet according to many stuff is tiny, four trash along with money to burn all existing copies. This is a good starting point to show that the horror is the work Fragasso polymorphous and complex, multi-faceted.

not need a mere display of gore, does not require a spasmodic use of nudity to make inroads in the minds dell'horrorofilo. The director Roman architect a voltage based on a more psychological violence, invasive, without disturbing the telephone harassment, threats, insults and obscure, rather than on the violence shown in the face and slammed to the viewer. It 'a subtle psychological warfare that creeps slowly, living in peaceful harmony its singularity. It depicts evil and morbid atmosphere, with spikes in the first part that touched the highest levels. It 'clearly tangible desire to build something original, step by step and do not always choose the easy path of murder and splatter effect from peanuts as a filler. In short, virtually the incontrario to what is fashionable today. It 'a way of making a film that honestly regret with tears, did not need to show off with impunity (pretext) the details of a hole to stretch out a specific sequence which would be integrated into the "unrated version", as it is trendy today. The interpretations of the characters, not absolutely despicable, pompous music continued without respite, and a final raw trim enhances this jewel that joins up to unite them inseparably, two roads hardly comparable: the purely horror and reminiscences argentiane and the classical detective from America.

Night Killer the end, this made its polymorphic mixtures of genres, and ingenuity appears to be some minor defects spans over other similar attempts to make good cinema.


Originally published www.ilcancello.com

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