Foster Twelvetrees ( Frankie Howerd) is a mediocre end reciter who is hired for the recitation of a "greatest hits" of his achievements in a villa. Arrived there, is confronted with a series of strange characters. Black-veiled women who seek to behead him, mustachioed homunculi that cover the worst epithets, heads of dolls that you parry before ... What will be the cause of these strange events there is unknown. 's amazing how a plaintiff may disrupt the geometry of a work, annihilating the cardinal points and going to give that surplus can allow multiple visions left open indefinitely. The element that allows discern between great movies and feature films semplicementi 'beautiful'. Speech is valid for masterpieces where every single wheel gear is perfect, it is supported by the skill of casting and all the technical sector, whether are groping in the dark of the most squalid and production through the help of his mimicry skills and try to revive an already mediocre movie. Think of a What Ever Happened to Baby Jane? without interpreting Bette Davis, with another actress to act in their place. Despite all this work in no time yet remained perfectly unchanged, the removal of a prominent cardinal point would destroyed that alchemy created between the different elements. Maybe we would have pointed to other factors, however the seventh art would not have escaped unhurt from a similar chance. In this case, Frankie Howerd, English comedian, burst onto the scene with all its drama and a collection of gags that go immediately to create a short circuit inside the film. Short circuit overloading lights and lamps, on the lower left spectrum of the mansion opera house, the shadows of darkness, the crackling of the rooms web overshadowed by austere prohibitions, do not overdo it with the aura of mystery, which, as anticipated , alternates with a series of comic grafts. Although The House of Horrors in the park is permeated by a thin line of anxiety ricreabile difficult for any director (the mother of one of the brothers, segregated in the attic with a black veil on the face provides some shiver down my spine) does not fail to entertain at the same time advocating entr'actes gags and hilarious, but functional heavy characters, locations and strategies put in place there, thus justifying what you are seeing.
's film Peter Sykes ranks in the immense lot 'Magioni infested', and immediately presented himself as a British horror with humorous touches, at the same time capable of upsetting, surprising, to recreate atmosphere complete with Gothic references to the Hindu religion through the (vain) worship the Goddess Kali. More than a haunted house in question actually to deconstruct a series of codes and check - in the starting phase - that is before any of the classic conspiracies against the more stupid by the knives of brothers and their wives even more snakes. And Naja Haje, known Egyptian cobra, is a factor which often peep into each other even justifying the bill of Avofilm , mythical home of distribution, which has often shone to the illogic of his recollections on the cover. The plot, in brief, is none other than the same view in those years in feature films as Death in the eyes of the Cat Antonio Margheriti or The Cat and the Canary of Radley Metzger, except that the director proprete to calm the child by the complicity of hilarity, creating a multifaceted creature, with a thousand different interpretations and sfacceattature perspective, a unique example of its kind. Everything is high quality. From the sets, the script, to the supporting actors. Not least the music that deafen the audience not in their apparent congruence with the misdeeds of the protagonists. And the director does not seem to want to insist too much in seeking to effect the shot or camera movement compliant, simply give due importance to the many recitations over the top, relying on shots of class and skill of its interpreters, including also a very good check Ray Milland (The Uninvited , Prisoner of Terror) one of the most famous actors of the 'old' as well as Hollywood Hugh Burden ( Blood from the Mummy's Tomb) in the shoes as well as the greed brother accomplice in the activities of the sinister house of horrors in the park.
of its kind and among the most unique.
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