Amanda (Susan George ), a young baby sitter, was contacted to care for the child of a couple separated. One night only, but which will be endless as to keep it in check, there is a crazy psycho with mental disorders ... The drama staged by Peter Collinson pushing through the first few minutes, losing the progressive effect of the latter leading to his personality and potential dissolution of previous expectations. If the objects and architectural forms of the furnishings are similar to those found in most valuable productions hammer, getting the most dramatic effect possible, the space sense of the true burden of tension Fright (original title). Voltage, scarcely perceptible, mitigated by a number of inconsistencies , ingenuity and defects that are impassable dam. The actors and stage presence to shine more on the ball ( Honor Blackman, John Gregoson ) are to be relegated to the breakwater in connecting scenes that take place at the edge of the real outbreak, which is the house where the baby Child is forced to defend herself and the baby entrusted to her in custody. Misunderstood film in English, the action is taken so bland, inattentive to detail by a director, almost fossilized in his ataraxia (due to a script not great) and unable to give a depth of background that would be beneficial to the wider success of the film. There is no emotion, it leaves room for a series of gestures which insignifcanti a snog, a series of eerie phone calls and nothing more. A stand-by waiting for it to reach the emotional to the point. Items not unlike an ordinary teen-ager movie. Flicks missing for true meaning, probably conceived with the sole purpose of being able to arrive at the canonical life of the ninety minutes. Consequently, the action can be accommodated only in the last scene, where you get drugged and addicted to such artist. The maniac (an impalpable Ian Bannen), Finally, he manages to be too anonymous attempts to be oscillating between Bluebeard and over the top that does not produce any revenue production. The recitations are too set, there are the premises to resolve the various secrets in the beauty of the characters and the sense of incompleteness is the size of the house under siege. Yet the failure was predictable from the first minute. When you leave the field open to only one actor, it should have the skills enabling it to be the real actor the scene stealer and icon that can make us forget the lack of supporting actors. But even the talented Susan George is unable to perform such a task (impossible for anyone unless you call Christopher Lee, Peter Cushing , Klaus Kinski ) dall'incedere stunned by the events that continue regardless of the status quo and the mood of the character. There is no support from anyone, and perhaps its characterization should be invested with more praise because it is very difficult to replace helped to missing in a similar context.
According to guidelines established critics, the film will have the opportunity to influence the ' John Carpenter's Halloween .
For once, the movie dispenses us regret the past by encouraging them to hold on to this (most prosperous and bright, at last). Even a film like Inside (A l'interieur ), with the same play, makes him the shoes.
0 comments:
Post a Comment