Beautiful jewelry direct from the good A. Hickox , " Hellraiser: Hell On Earth " a strong visual style combines a variety of metaphors to escape and more a series of fierce criticism by the American company (which is still chilling to current events). From the technical point of view the director makes an excellent job, a clear picture and at the same time made unhealthy by a bitter red sunset and a perpetually dark black as if to clearly distinguish good and evil. The city as a backdrop to the story is grim and dark, mysterious Gothic. Also no objection from the artistic component because the two protagonists beautiful, Joey (Terry Farrell ) and Terri (Paula Marshall ) are well characterized, with an effective, even if standardized psychological depth. Enterprising the first, fragile and insecure the second. In the role of Pinhead are once again Doug Bradley, protagonist of the scene, which exposes the latter part of the film all his harrowing footage. Good splatter effects supported by the romantic theme music series, for a staged very impressive. Hickox abandons the philosophy Cenobites brought forth by the English writer Clive Barker (demons to some, angels to others) and gives to the role of Pinhead tempter. He is no longer being asexual in the first two chapters (and the short novel "Hell Slaves"), here is the embodiment of absolute power and the delusions of grandeur coveted by man, is vanity, success, the desire to appear perfect at all costs and trying to prove how corrupt anyone in range. He has the "key" for a just world where there is no Good and there is evil, there is only "flesh". The film repeats the story of Adam and Eve's place in present time, humanity is in jeopardy against the demons that we face every day: the superficiality of mind (the characters are almost all unsuccessful cunning and insensitive), that of consumerism, and that of the fratricidal war between peoples (the Cenobites that challenge humans). What better reference for describing the world today? A rather pessimistic view of society where there is no god ready to help. The only options are to get out of the intelligence and rationality (embodied by the protagonist Joey). This is the new concept launched by Hickox (who finds time to carve out a cameo), with courage and resourcefulness. What's more, there are some religious references in very bad taste but a great visual impact. Pinhead in a dismal that mimics the Nazarene Church on the Cross can not come right in the best sequences in the history of horror cinema. Spike will remain the head torturer end we learned from the burning flames (mild) Hell, even showing off some deep and philosophical joke effect. "Hell On Earth" is an exceptional film in its genre, dark and macabre, a 'work that deserves to be investigated, analyzed and discussed, just as the sad victims of the film.
Originally published http://www.horrorblood.com/
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