Sarah, a young photojournalist, next to give birth, is spending Christmas Eve awaiting transfer to the clinic. At night, someone knocks on his door ... as a dark and deadly fate awaits?
There are many doubts that the vision of Inside sprout leaves in the mind of the viewer. From sterile questions about how to be evolving (in negative) to the tastes of horror fans, always generous to a never-ending deluge of flattery if to meet his or her claim is an industrial quantities of tripe to be served, to questions concerning the pretext dell'incedere narrative filmmakers opted Bustillo and Maury to pack their debut, duo in the control room, after a good opening words, full of negativity and leaden in distress, dampens any attempt to drown the audience in the atmosphere by a blood feast nonstop: barren, useless, caracollante in its one-dimensional. A pity that the film, after the incredible first twenty minutes, beginning to creak , with its banal attempts to hit us with fears that seem to effect be the mast of a decrepit old now.
It can be stricken, psychologically destroyed by something, if a positive environment, from cotton, suddenly deteriorates into a negative. Will I go hungry if only from one day to suddenly be deprived of food, not if I was born, raised and used to living with a loaf of bread, because that's always been my status quo and only know that side of happiness. Inside plugs directly into the second "philosophy" of life, taking care to grow up and stuff it viewer with a series of futility as scissors in their hands, heads exploding one after another to increase the killing and try to get the canonical hours. You end up with very soon become hardened to the rampant ferocity, that spreads without interruption until the final good, therefore, manageable docile as a lamb, one without all cartridges and no shots are fired intermittently. Quell'intermittenza which would serve to juggle with the best information available and sink the blade at the right time. Timing is completely missing the two directors who prefer to put the fate skill in the work of others. resounding Own goal. And the script simply does not exist.
A film that, to implement the programmatic his gait, he uses two great actresses: Beatrice Dalle, without which, probably, the French would splatterone involuntary borders on the ridiculous. Not so much the technical data (normal) to represent the positive points, as the look of this perennially insane Black Reaper, so resentful and hateful of revenge from us send a shiver down my spine ... hoping not to be ever to do with guys like this ... E leading to further reflection. As some players have the balance the fate of a movie and make useless any attempt to annex the outcome (positive) of a work to talentuosità and skill of directors, which here is close to zero. These are not actresses of the second category, for which the director has to direct its efforts to encourage, give directives and dictates for you to give the best. The example of school Rob Zombie with Bill Moseley in La Casa del Diavolo (The Devil's Rejects) . Those who follow the ups and downs and behind the scenes of the film will understand how the actor who plays Otis on the set, and committed a whole series of problems (physical, Psychology, emotional) resulting from being dropped into the shoes of a ruthless character ( Moseley, in fact, after the movie, will not be repeated ever more tired and offering services free of biting, lazy). This stands as a director, in some cases, can bring out the best from people - if you leave without a guide - reel mediocrity in general. From the other hand, showed a continuous high level of performance in any film ... in Cannibal Love , film semantic certainly more difficult and grade of this splatter of grain, which accounts for more than a healthy walk to work (however imperfect) of Claire Denis.
The other positive note is made of Alysson Paradis, able to reveal the true meaning of terror resulting from being hunted down in the house with death in person.
I've never been a supporter of the current French and I think the General should be left to general indifference. If it is true that things are working well beyond the Alps, and there has sparked a revolutionary movement that has marked the last decade of horror movies, served on a silver platter as film Saint Ange , High Voltage , Calvaire (Franco-Belgian co-production), A Child's Game and Martyrs, is also true that not all elements of that revolutionary movement should be incensed. Inside is one of them.
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